There is an evident relationship linking the assumption that culture is independently apparent and the popular conviction in the transparency, neutrality, and impartiality of audiovisual technologies. As of a positivist point of view, reality can be caught on film devoid of the constraints of human perception. Pictures offer an impeccable witness and resource of extremely consistent data. Given those suppositions, it is rational that the moment the technologies were accessible, anthropologists tried to generate with the camera the kind of goal research data they could store in documentations and availed for learning by generations to come (Ruby, 2000).
Visual anthropology has in no way been totally integrated into the conventional of anthropology. It is underestimated by a few...
... middle of paper ...
...ter: A Photographic Analysis. Their works contained 759 photographs that portrayed skills children had learned in the Balinese culture. Among their different works, they also recorded performances of the Balinese ceremonial kris dances. Overall the different works they recorded with their visual films had a variety of rituals and skills that these cultures practiced. Each Anthropologist had a distinct way and purpose for doing their studies of the different cultures.
Ruby, J. (2000). Picturing culture: Explorations of film & anthropology. Chicago: University of Chicago Press.
Ruby, J. (1996). Visual Anthropology. Encyclopedia of Cultural Anthropology, vol. 4, pp.1345-1351
Heider, Karl G. Ethnographic Film. Austin: University of Texas, 2006.
Grimshaw, Anna. "The Ethnographer's Eye: Ways of Seeing in Anthropology. Cambridge University Press, 2001.
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